My name is CJ.

Impulsiveness > Inaction
Carpe Diem, Motherfuckers!

15th May 2012

Photoset reblogged from Dark Silence In Suburbia with 336 notes

darksilenceinsuburbia:

Nicolas de Crécy.

Une exposition de dessins de Nicolas de Crécy se tient actuellement à la galerie Martel à Paris jusqu’au 9 juin. Certains de ces dessins ont été réalisés lors d’une résidence effectuée par l’artiste en 2008 à la Villa Kujoyama à Kyoto, d’autres datent de 2012. On y trouve des dessins d’observation des rues et temples de Kyoto, mais aussi des vues urbaines peuplées de yôkai.
Un ouvrage intitulé Carnets de Kyoto vient de sortir aux éditions du Chêne.

Du 11 mai au 9 juin 2012, galerie Martel, 17 rue Martel, Paris.
Le site de la galerie Martel : http://galeriemartel.com/
Carnets de Kyoto : http://www.editionsduchene.fr/livre/nicolas-crecy-de-carnets-de-kyoto-3484573.html

Source: darksilenceinsuburbia

15th May 2012

Photo reblogged from kill all your friends. with 21,803 notes

Bowling for Columbine.

Bowling for Columbine.

Source: gruunge

15th May 2012

Photo reblogged from Spent My Days with 133 notes

Source: majortomsadrunky

15th May 2012

Photo reblogged from mindsigh with 80 notes

mindsigh:

Martin de Diego Sadaba, “Quick Equilibrium”

mindsigh:

Martin de Diego Sadaba, “Quick Equilibrium”

Source: mindsigh

15th May 2012

Photo reblogged from coffee with cream with 4,129 notes


Vincent van Gogh:  Cypresses (1889)

Vincent van Gogh:  Cypresses (1889)

Source: peira

15th May 2012

Photo reblogged from pure art with 9,156 notes

phillipsdepury:

ANDY WARHOL | Gun, 1981-1982 | acrylic and silkscreen ink on canvas
Sold for $7,026,500 at the Contemporary Art Evening Sale, 10 May 2012, New York. [Video]
Jordan Crandall: You don’t like guns, do you?
Andy Warhol: Yes, I think they’re really kind of nice.
(From Splash No. 6, 1986, excerpted in I’ll Be Your Mirror: The Selected Andy Warhol Interviews, Edited by Kenneth Goldsmith, New York, 2004, p. 373).
After Andy Warhol’s assassination attempt in 1968 by Valerie Solanas, much of the violent imagery that had occupied his work of the 1960s—electric chairs, traffic accidents, nuclear explosions—vanished from his new pictures. Instead, during much of the 1970s, both famous and unfamous faces became a prominent trope. Warhol also began to incorporate different series into his silkscreens, including the infamous oxidation paintings and the “shadow” paintings of the late 1970s. Yet as the injuries from 1968 exerted their relentless and painful influence upon Warhol’s life and work, he returned in 1981 and 1982 to the subjects that he had avoided for more than a decade. 1982 saw showings on opposite sides of the Atlantic for Warhol’s Guns, Knives, and Dollar Signs, some of the most ominous and captivating work of his entire career. Gun, 1981-1982, exhibits Warhol’s full-circle return to the events that shook him to his mortal core in 1968, as we observe upon his canvas the exact style of pistol that almost claimed his life two decades before his death.

phillipsdepury:

ANDY WARHOL | Gun, 1981-1982 | acrylic and silkscreen ink on canvas

Sold for $7,026,500 at the Contemporary Art Evening Sale, 10 May 2012, New York. [Video]

Jordan Crandall: You don’t like guns, do you?

Andy Warhol: Yes, I think they’re really kind of nice.

(From Splash No. 6, 1986, excerpted in I’ll Be Your Mirror: The Selected Andy Warhol Interviews, Edited by Kenneth Goldsmith, New York, 2004, p. 373).

After Andy Warhol’s assassination attempt in 1968 by Valerie Solanas, much of the violent imagery that had occupied his work of the 1960s—electric chairs, traffic accidents, nuclear explosions—vanished from his new pictures. Instead, during much of the 1970s, both famous and unfamous faces became a prominent trope. Warhol also began to incorporate different series into his silkscreens, including the infamous oxidation paintings and the “shadow” paintings of the late 1970s. Yet as the injuries from 1968 exerted their relentless and painful influence upon Warhol’s life and work, he returned in 1981 and 1982 to the subjects that he had avoided for more than a decade. 1982 saw showings on opposite sides of the Atlantic for Warhol’s Guns, Knives, and Dollar Signs, some of the most ominous and captivating work of his entire career. Gun, 1981-1982, exhibits Warhol’s full-circle return to the events that shook him to his mortal core in 1968, as we observe upon his canvas the exact style of pistol that almost claimed his life two decades before his death.

Source: phillipsdepury

15th May 2012

Photo reblogged from Hi beautiful♥ with 14,836 notes

Source: kippery

15th May 2012

Photo reblogged from Hi beautiful♥ with 5,112 notes

You make me feel so young…

You make me feel so young…

Source: brandy2597

15th May 2012

Photo reblogged from Sarcasm Welcome with 18,708 notes

Source: flyfightandcrow

15th May 2012

Photo reblogged from V for Vindictive with 839 notes

Source: Flickr / coldgirlfever

15th May 2012

Photo reblogged from Cheeto with 29,190 notes

Source: thefluffysheep

14th May 2012

Photo reblogged from ॐ love ~n~ light ॐ with 60,232 notes

h-i-p-p-i-e-s-t:

sunkissedsluts69:

(via tribal-tropics, makefunof)

h-i-p-p-i-e-s-t:

sunkissedsluts69:

(via tribal-tropics, makefunof)

Source: makefunof

14th May 2012

Photo reblogged from Caution: This blog is not to impress you with 24,440 notes

I’m going to miss Tigard High School…

I’m going to miss Tigard High School…

Source: mnastynastynasty

14th May 2012

Photo reblogged from kill all your friends. with 21,795 notes

Source: hartboy

14th May 2012

Photo reblogged from Freddie Mercury with 18 notes

Source: queenie-nandabellini